Wednesday, January 11, 2017

Click below for the full text of the course syllabus:



ART 115 – 2D Design – 3 Semester Hours
Spring 2017
MWF 9:00-9:50 AM, DFAB 130
Bethel University
Instructor:  Jason Cole
Office Hours:
DFAB 113 – MWF: 10-11am;  MW: 1-2PM; TR: 8-9:30am, 11am-12pm.

Course Prerequisites/Co Requisites:
None

Course Description:
2D Design is a foundational course that explores the most basic elements and principles of design which are used to control, organize, and integrate two-dimensional compositions in art.

Course Goals:
The student will:
1)     Identify and define the elements and principles of design.
2)     Build compositions based on these elements and principles.
3)     Demonstrate the basic “structure” concept of compositional organization.
4)     Demonstrate a variety of art-making techniques using basic and traditional materials.
5)     Develop skills of observation, personal expression, and abstract thinking.

Relationship of this Course to Content Area Knowledge and Skills:
This course is not used to address TN Matrix knowledge and skills.

Course Objectives:
The student will:
a)     Develop problem-solving skills.
b)     Strengthen self-disciple.
c)     Learn to manipulate color through a basic understanding of color theory.
d)     Learn to use the elements and principles of design to create a work of art.
e)     Observe, research, and learn from the work of other artists.
f)      Develop and enhance his/her proficiency in the vocabulary of the artist.
g)     Actively engage in constructive critique.

Units of Study:
Unit 1     Learning The Elements &Principles of Design
Elements: The basics of art-making
Principles: What we do with those elements
Unit 2     Building Basic Compositions
Organizing 2-dimensional Space
Positive/Negative space
Symmetrical/Asymmetrical Balance
Repetition/Rhythm
Emphasis
Unit 3     Color Theory
The Color Wheel
Value/Tone
Saturation/Tints/Shades
Unit 4     Grid Compositions
Value
Complimentary Color
Monochromatic Color: Warm
Monochromatic Color: Cool
Line/Mark-Making
Shape/Color/Unity/Variety

Required Reading/Viewing:
Various handouts, online videos, and online tutorials which will be given throughout the course.

Suggested Reading/Viewing:
Websites:

Methods Of Instruction:
Lecture, discussion, in-class work, outside assignments, online blog, critique.


Course Requirements:
1)     A personal sketchbook/journal is an important requirement of this course.  It is a depository for ideas, visual observations, and written responses to anything (in-class or outside).  Include practice, sketches, and thumbnails in preparation for EVERY assignment and intended composition.  Drill yourself on in-class skills.  WRITE.  Don’t do ANYTHING in the sketchbook without also writing some notes about what you did.
Note:  There will be specific sketchbook requirements that accompany each assignment in class.  Therefore you will turn it in with every assignment you submit.   Sketchbooks will also be submitted and graded at midterm and finals.
2)     A 3-ring binder filled with lined paper, organizing tabs, and pocket folders is required for this course.  This notebook will be an ORGANIZED depository for written notes and printed materials provided by the instructor.  Include research on concepts, skills, and artists mentioned in class.  Write notes in response to your research.
Note:  There will be specific notebook requirements that accompany each assignment in class.  Therefore you will turn it in with every assignment you submit. Notebooks will be submitted and graded at midterm and finals.
3)     One short quiz covering the elements and principles of design will be given at midterm.
4)     Completion of weekly in-class and homework assignments is required for the course.
5)     A final portfolio of all work done for the course is due at finals.

Attendance Policy:
o    If you miss NINE classes you will immediately fail the course.  Nine absences means too much information and work has been missed for anyone to legitimately pass the course. The only excused absences are for students who must miss class due to approved scheduled university extracurricular activities.  Medical absences can be discussed on an individual basis, but it is not guaranteed that they will be excused.
o    If you are unable to submit an assignment on its due date because of an approved scheduled university extracurricular activity, that assignment can be submitted at the beginning of the next class without penalization.
o    If you are having trouble with the course or have problems outside the class that are affecting your performance please talk to me about it so that we can work out a solution.  Do not wait until it is too late.  I will be glad to help you in any way I can.
o    Lateness is not acceptable.  It is disruptive and frankly disrespectful not only to me but to your fellow students to enter the classroom in the middle of a lecture, demonstration, or critique.  Three late arrivals to class will count as an absence.
o    All students will work for the entire class period.  The class runs from 9:00 to 9:50 a.m.  Students will not leave the classroom unless excused.  I am tolerant of discussion among students during class to a point.  However, excessive talking, walking about or leaving the room will be noted in my grade book and counted against your final grade.
o    If you miss an assignment because of lateness or absence get it from another student. If you then have questions come and see me.

Methods of Assessment/Evaluation/Grading System:
Each assignment will be collected on a specific due date and time.  Persons not handing in work on time will be penalized one full grade.  (See the exception rule above.)  The work will be graded and returned as soon as possible.  At times it may be necessary for me to hold some of the work for exhibitions or photographing.  In cases like this, I will notify you.

All assignments that have been submitted PROPERLY and graded may be re-worked and resubmitted for the possibility of a better grade.

Final grades reflect accomplishment in three areas:
o    Portfolio (40%)
o    Sketchbook (20%)
o    Notebook (15%)
o    Class performance/participation/attitude (20%)
o    Quiz (5%)
Final grades will be determined by:
o    Completion of all assignments.
o    Consistency of effort
o    Development of skills in seeing and thinking.
o    Presentation and craftsmanship.
o    Participation in critiques and discussions.
o    General attitude.

Individual assignment grade definitions:
o    A - Excellent. Assignment is completely and creatively fulfilled.  No significant problems.
o    B - All aspects of assignment are completely fulfilled and well done.  A few problems remain to be solved.
o    C - Work fulfills the requirements of the assignment to the letter and is generally successful.  Work is completely finished.  Craftsmanship is acceptable.  Some problems remain to be solved.
o    D - Work is not yet completely finished or has obvious technical or conceptual flaws.
o    F - Unacceptable in technique or craft or concept (or any combination of these).
o    X - Assignment not handed in.  This assignment may not be re-submitted.
Final letter grade definitions:
o    A – The student earning an A has shown great effort and near-perfect success in all aspects of the class.  Only students absolutely excelling far above expectations will be awarded this grade.
o    B - A very good job.  The person earning this grade has worked very hard; has pushed his/herself to go beyond the mere fulfillment of each problem and has shown strong advances in technical and conceptual skills.
o    C - The student earning a C has fulfilled the requirements of the course, has a positive attitude, worked hard, shown growth in skills and thinking, and did an overall good job.
o    D - Below par.  This grade indicates that the student has obvious difficulties with basic drawing skills and/or trouble in fulfilling the requirements of the class for some other reason.
o    F - This grade indicates a severe problem in one or more of the following categories:  lack of interest, bad attitude, failure to complete assignments, excess lateness, or absence. 

Clinical/Laboratory/Field Experiences:
None


Critical Thinking Statement:
Critical thinking is the art of analyzing and evaluating thinking with a view to improving it.  In this class we will raise vital questions and problems, formulate them clearly and precisely; gather and assess relevant information, by using abstract ideas to interpret it effectively.

General Requirements:
o    You are required to bring your binder and sketchbook to EVERY CLASS!  It will be IMPOSSIBLE for you to participate in class on most days if you do not have these two books.  Anyone arriving without the sketchbook or binder WILL LEAVE THE CLASSROOM AND WILL BE COUNTED AS ABSENT FOR THE DAY.  Make a habit of carrying these items with you every Monday, Wednesday, and Friday.
o    On days when we will be working on projects, you are required to bring all the necessary materials with you to class.  Anyone arriving without the required materials WILL LEAVE THE CLASSROOM AND WILL BE COUNTED AS ABSENT FOR THE DAY.
o    All students are expected to participate during critiques.  Failing to engage in discussions will be noted in the gradebook.
o    Prohibited from my classroom: Cell phones (you may have it pocketed, but silence it and DO NOT ANSWER IT), any device with headphones, tobacco of any kind, drugs or alcohol, Internet social networking sites, and laziness.

Required Materials & Supplies
Different materials will be required for each individual assignment, but a general list includes:
o    Drawing board
o    Portfolio
o    Sketchbook (spine- or spiral-bound only, no glued-in pages)
o    Various greyscale artist papers.
o    Drawing pencils
o    Paint brushes
o    Acrylic paint (basic colors: red, yellow, blue, black, and white)
o    Glue and/or acrylic medium
o    Scissors and/or X-acto knife
o    Various artist drawing pens
o    Ruler/yardstick/T-square



Artists to Consider
Henri Matisse
Richard Hamilton
Luca Cambiaso
Edmund Dulac
Alberto Giacometti
Richard Diebenkorn
Paul Cezanne
Vincent Van Gogh
Martin Puryear
Jim Dine
Edgar Degas
David Hockney
Fernando Bryce
Rembrandt Van Rijn
Georges Seurat
Egon Schiele
Henry O. Tanner
Paula Modersohn-Becker
Romare Bearden
Mary Cassatt



Class Schedule



Week 1 (Jan 9-13)
Introduction
Familiarization with the Elements & Principles of Design
Discussion of Value

*MLK HOLIDAY – JAN. 16*

Week 2 (Jan 18-20)
Discussion of Space (Positive & Negative)
Discuss the Collage Assignments
Begin Positive/Negative Space Collages

Week 3 (Jan 23-27)
Critique Positive/Negative Space Collages (Jan 23)
Discussion of Balance (Symmetrical)
Begin Symmetrical Balance Collage

Week 4 (Jan 30-Feb 3)
Discussion of Balance (Asymmetrical)
Begin Asymmetrical Balance Collage
Continue Symmetrical Balance Collage

Week 5 (Feb 6-10)
Critique Balance Collages (Feb 6)
Discussion of Repetition/Rhythm
Begin Repetition/Rhythm Collage

Week 6 (Feb 13-17)
Discussion of Emphasis
Begin Emphasis Collage
Continue Repetition/Rhythm Collage

Week 7 (Feb 20-24)
Critique Repetition/Rhythm & Emphasis Collages (Feb 20)
Elements & Principles Quiz (Feb 22)
Discussion of Color Theory
Color Wheel

Week 8 (Feb 27-Mar 3)
Greyscale Chart
Saturation/Shades/Tints Chart
Color Project Due Mar 3
Sketchbook & Notebook Due for Midterm Grading (Mar 13)
Outside Assignment: Find a photograph, print in b&w, full page.  Bring photo to class on Monday, Mar 13.

*SPRING BREAK March 6-10*

Week 9 (Mar 13-17)
Discussion of Photo Grid Problems
Learn the Grid System
Begin Work on Value & Complementary Color Grid Problems

Week 10 (March 20-24)
Continue Grid Problems

Week 11 (Mar 27-31)
Critique Value & Complementary Color Grid Problems (Mar 27)
Begin Work on Monochromatic Grid Problems
Warm & Cool

Week 12 (Apr 3-7)
Continue Monochromatic Problems

Week 13 (Apr 10-13)
Critique Warm & Cool Monochromic Grid Problems (Apr 10) Begin Work on Line/Mark-Making Problem

*GOOD FRIDAY: APRIL 14*

Week 14 (Apr 17-21)
Begin Work on Shape/Color/Unity/Variety Problem
Continue Both Ongoing Problems

Week 15 (Apr 24-28)
Continue Both Ongoing Problems
Critique Line/Mark-Making & Shape/Color/Unity/Variety Problems (April 28)

FINALS WEEK
Monday, May 1
Portfolio, Notebook, & Sketchbook Due @ 12:30 PM—Pickup @ 3:00 PM







Month And Year Of Syllabus Revision:
January 2017

Bethel University is committed to equal opportunity in education for all students, including those with documented disabilities. If you have a diagnosed disability or if you believe that you have a disability that might require reasonable accommodation in this course, please contact Disability Services at 731-352- 4012. Bethel University policy states that it is the responsibility of students to contact instructors to discuss appropriate accommodations to ensure equity in grading, experiences and assignments.


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